L'Accoglienza WeV B.12 Carl Maria von Weber

Titel (DE): L'Accoglienza WeV B.12 - Kantate [Festa teatrale] für Soli, Chor und Orchester
Titel (EN): L'Accoglienza WeV B.12 - Cantata [Festa teatrale] for Soloists, Chorus and Orchestra
Titel (FR): L'Accoglienza WeV B.12 - Cantata [Festa teatrale] for Soloists, Chorus and Orchestra
Komponist / Composer: Weber, Carl Maria von
Herausgeber / Editor: Landmann, Ortrun
Bearbeiter / Arranger:
Illustrator:
Opus:
Werkverzeichnis: WeV B.12
Besetzung / Instrumentation: /
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 04.04.2007
Ausgabe / Publication: Partitur und Kritischer Bericht - Score and critical report - Gesamtausgabe
complete edition - - -
Seiten / Pages: 180
Verarbeitung: Leinen - Cloth
Schwierigkeitsgrad / Difficulty: - -
Sprache / Language:
Reihe / Series:
ISMN: M-001-13785-0
ISMN-13: 979-0-001-13785-0
ISMN-EAN: 9790001137850
UPC:

Carl Maria von Webers fame rests mainly on Der Freischütz. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as Preciosa, Oberon, and Euryanthe, the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Webers influential and substantial oeuvre was wasted in the 1920s, when a complete edition begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Webers works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (68 vols.) are edited in Berlin and the letters (810 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Webers music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

The Edition - The present volume - Abbreviations and library sigla - Cast and Instrumentation - A. Text of the Work - L'Accoglienza (WeV B. 12) - Scena I: - Nr. 1 Inno (l'Agricoltura, la Scienza, l'Arte, il Commercio) "Benigno eccelso fato" - Nr. 2 Recitativo (l'Arte, la Scienza, l'Arte, il Commercio, l'Agricoltura) "Qual pace! qual delizia! - Nr. 3 Quartetto (l'Agricoltura, la Scienza, l'Arte, il Commercio) "Sente l'alma un che divino - Scena II: - Nr. 4 Recitativo (Genio) "Il cielo alfin ai tanti prieghi arrise!" - Nr. 5 Aria (Genio) "La Donna grata ai Numi" - Scena III: Nr. 6: Coro (Popolo, il Decano) "Di Mirti e d'ulivo" - No. 7 Coro (Popolo) "Conservate o giusti Dei" - Appendix Coro No. 7, vocal parts with alternative text "Ström o Himmel deinen Segen" - B. Critical Notes - I. Origins and transmission of the Work - Origins of the work - The performacnes and their reception - The transmission of the work - The planned publication - II. Summary of sources, description and evaluation - Summary of sources - Description of sources - Evaluation of sources on which the present edition is based - III. Editorial Report - The Musical Text - Preliminary remarks - The autograph score - The numbering - Performing of appggiaturas - Editorail notes - The Vocal Text - Introductory remarks - Variants, alternative regardings and notes - C. Appendices - Review of the first performance, from Allgemeine musikalische Zeitung - Text for first performance (Facsimiles) - Index and notes on the illustration I-IX - Facsimiles, plates I-IX - D. Indices - Index of names and works - Index of sources

[FR]
Carl Maria von Weber doit sa célébrité en grande partie à son Freischütz, dont le succès éclatant a fait peu à peu tomber le reste de son uvre dans l'oubli, bien que jusqu'au milieu du XIXème siècle, des uvres comme Preciosa, Obéron et Euryanthe, les Ouvertures, les concerto solo et les sonates pour piano aient eu un grand succès en Allemagne et en Europe. Les années vingt nous ont donné la chance de redécouvrir ses autres uvres, grâce à l'édition intégrale réalisée par Hans Joachim Moser, à laquelle des personnalités comme Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein et Richard Strauss ont voulu participer. Depuis, les tentatives de publier une nouvelle édition intégrale n'ont pas manqué, mais la politique après 1945 n'a pas laissé la place à un tel projet en raison du partage géographique des experts entre les deux Allemagnes. Des progrès ont été faits à partir des années 80 : il fut décidé d'inclure dans l'édition intégrale les lettres, les journaux et les écrits de Weber, pour ne pas séparer ses occupations d'écrivain de celles de compositeur. Depuis la réunification, deux postes travaillent à cette édition intégrale, l'un à Berlin et l'autre à Paderborn : on compte environ 45 volumes en dix séries. L'édition des journaux (six à huit volumes) est assurée par le poste de Berlin, celle des lettres (huit à dix volumes) et des écrits (deux volumes) par celui de Paderborn. Cette édition intégrale doit être une référence d'une fiabilité exemplaire pour l'étude de Carl Maria von Weber. L'aspect historique des pièces de Weber sera étudié à travers l'histoire de leur création et de leur développement, et complété par le compte-rendu critique. Les lettres, les écrits et les journaux seront mis en relation les uns par rapport aux autres en commentaires, pour que le lecteur ait accès au plus d'informations possible dans un espace restreint.

The Edition - The present volume - Abbreviations and library sigla - Cast and Instrumentation - A. Text of the Work - L'Accoglienza (WeV B. 12) - Scena I: - Nr. 1 Inno (l'Agricoltura, la Scienza, l'Arte, il Commercio) "Benigno eccelso fato" - Nr. 2 Recitativo (l'Arte, la Scienza, l'Arte, il Commercio, l'Agricoltura) "Qual pace! qual delizia! - Nr. 3 Quartetto (l'Agricoltura, la Scienza, l'Arte, il Commercio) "Sente l'alma un che divino - Scena II: - Nr. 4 Recitativo (Genio) "Il cielo alfin ai tanti prieghi arrise!" - Nr. 5 Aria (Genio) "La Donna grata ai Numi" - Scena III: Nr. 6: Coro (Popolo, il Decano) "Di Mirti e d'ulivo" - No. 7 Coro (Popolo) "Conservate o giusti Dei" - Appendix Coro No. 7, vocal parts with alternative text "Ström o Himmel deinen Segen" - B. Critical Notes - I. Origins and transmission of the Work - Origins of the work - The performacnes and their reception - The transmission of the work - The planned publication - II. Summary of sources, description and evaluation - Summary of sources - Description of sources - Evaluation of sources on which the present edition is based - III. Editorial Report - The Musical Text - Preliminary remarks - The autograph score - The numbering - Performing of appggiaturas - Editorail notes - The Vocal Text - Introductory remarks - Variants, alternative regardings and notes - C. Appendices - Review of the first performance, from Allgemeine musikalische Zeitung - Text for first performance (Facsimiles) - Index and notes on the illustration I-IX - Facsimiles, plates I-IX - D. Indices - Index of names and works - Index of sources