Gymnopédie Nr.1 : für Flöte und Klavier Erik Satie / Arr. Wolfgang Birtel

Titel (DE): Gymnopédie Nr. 1 -
Titel (EN): Gymnopédie No. 1 -
Titel (FR): 1ère Gymnopédie -
Komponist / Composer: Satie, Erik
Herausgeber / Editor:
Bearbeiter / Arranger: Birtel, Wolfgang
Illustrator:
Opus:
Werkverzeichnis:
Besetzung / Instrumentation: Flöte und Klavier / flute and piano
Besetzungsdetails:
Kompositionsjahr / Date of Composition: 1888
Aufführungsdauer / Duration:
Verlag / Publisher: Schott Music
Erscheindungsdatum / Date of Publishing: 18.04.2013
Ausgabe / Publication: - -
- - -
Seiten / Pages: 6
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: leicht - mittelschwer - easy - intermediate - facile - moyen
Sprache / Language:
Reihe / Series:
ISMN: M-001-18164-8
ISMN-13: 979-0-001-18164-8
ISMN-EAN: 9790001181648
UPC: 841886018426

The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.

[FR]
The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.