Concerto à 4 Violini senza Basso D-Dur TWV 40:202 Georg Philipp Telemann / Arr. Olaf Mühlenhardt

Titel (DE): Concerto à 4 Violini senza Basso D-Dur TWV 40:202 -
Titel (EN): Concerto à 4 Violini senza Basso D major TWV 40:202 -
Titel (FR): Concerto à 4 Violini senza Basso D major TWV 40:202 -
Komponist / Composer: Telemann, Georg Philipp
Herausgeber / Editor:
Bearbeiter / Arranger: Mühlenhardt, Olaf
Illustrator:
Opus:
Werkverzeichnis: TWV 40:202
Besetzung / Instrumentation: 4 Alt-Saxophone / 4 alto saxophones
Besetzungsdetails:
Kompositionsjahr / Date of Composition:
Aufführungsdauer / Duration:
Verlag / Publisher: advance music
Erscheindungsdatum / Date of Publishing: 01.06.2012
Ausgabe / Publication: Partitur und Stimmen - Score and parts -
- - -
Seiten / Pages: 16
Verarbeitung: Rückendrahtheftung - Saddle-wire stitching
Schwierigkeitsgrad / Difficulty: fortgeschritten - schwer - advanced - difficult - avancé - difficile
Sprache / Language: Englisch
Reihe / Series:
ISMN: M-2063-0830-7
ISMN-13: 979-0-2063-0830-7
ISMN-EAN: 9790206308307
UPC: 805095074659

The form of these concertos is concise and concentrated, even in a moderate tempo none of them lasts longer than eight minutes. The fast movements are fresh and lively. The slow ones are expressive and make use of uncommon harmony. Because of the imitative disposition all parts are equally involved in the materials' treatment. The antiphonal opposition of instrumental groups in pairs is especially prominent. Except for the slurs in the Grave there are no further entries in the manuscript of the Concerto in F-major TWV 40:202. Dynamic markings are merely suggestions to differentiate between leading voices and accompaniment as well as form. The commas in the Grave and the last Allegro were added to indicate phrasing.

Concerto à 4 Violini senza Basso D major TWV 40:202

The form of these concertos is concise and concentrated, even in a moderate tempo none of them lasts longer than eight minutes. The fast movements are fresh and lively. The slow ones are expressive and make use of uncommon harmony. Because of the imitative disposition all parts are equally involved in the materials? treatment. The antiphonal opposition of instrumental groups in pairs is especially prominent.Except for the slurs in the Grave there are no further entries in the manuscript of the Concerto in F-major TWV 40:202. Dynamic markings are merely suggestions to differentiate between leading voices and accompaniment as well as form. The commas in the Grave and the last Allegro were added to indicate phrasing.

[FR]
The form of these concertos is concise and concentrated, even in a moderate tempo none of them lasts longer than eight minutes. The fast movements are fresh and lively. The slow ones are expressive and make use of uncommon harmony. Because of the imitative disposition all parts are equally involved in the materials' treatment. The antiphonal opposition of instrumental groups in pairs is especially prominent. Except for the slurs in the Grave there are no further entries in the manuscript of the Concerto in F-major TWV 40:202. Dynamic markings are merely suggestions to differentiate between leading voices and accompaniment as well as form. The commas in the Grave and the last Allegro were added to indicate phrasing.

Rückendrahtheftung

Werkverzeichnis: TWV 40:202
Ausgabe: Partitur und Stimmen / score and parts
ISBN: 978-3-89221-824-1
ISMN: 979-0-2063-0830-7