Célebre Serenata Española op. 47/4 - Cádiz from Suite española op. 47/4 Isaac Albéniz

Thanks to Stefano Grondona, this unknown and unedited transcription by Tárrega in G major of Albéniz' Cádiz, known widely as the Célebre Serenata Española has just been identified in a manuscript copied by Miguel Llobet, probably while he was still Tárrega's pupil. This beautiful and subtle transcription is not overcomplicated to play, Tárrega did not try to do everything, as some later transcribers have attempted to do. The melody sings and the accompaniment is subtly always there. The tuning with 5th string to G, and 6th to D, is no hindrance - on the contrary it is a boon. We are not aware of any published version of this work in G major, and this particular version has never been published until now. We are delighted to make it available for the first time in a new scholarly edition prepared from Llobet's meticulously accurate manuscript, a copy of which is reproduced in the edition.

[FR]
Thanks to Stefano Grondona, this unknown and unedited transcription by Tárrega in G major of Albéniz' Cádiz, known widely as the Célebre Serenata Española has just been identified in a manuscript copied by Miguel Llobet, probably while he was still Tárrega's pupil. This beautiful and subtle transcription is not overcomplicated to play, Tárrega did not try to do everything, as some later transcribers have attempted to do. The melody sings and the accompaniment is subtly always there. The tuning with 5th string to G, and 6th to D, is no hindrance - on the contrary it is a boon. We are not aware of any published version of this work in G major, and this particular version has never been published until now. We are delighted to make it available for the first time in a new scholarly edition prepared from Llobet's meticulously accurate manuscript, a copy of which is reproduced in the edition.