Polka
The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many European countries, and is performed by folk artists in the Czech Republic, Germany, Austria, Slovenia, Switzerland, and Finland, and to a lesser extent in Poland, Latvia, Lithuania, the Netherlands, Hungary, Italy, Ukraine, Romania, Belarus, Russia, and Slovakia. Local varieties of this dance are also found in the Nordic countries, Spain's Basque Country, the United Kingdom, Ireland, Latin America and the United States.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
The term polka possibly comes from the Czech word "pulka" ("half"), referring to the short half-steps featured in the dance. Czech cultural historian and ethnographer Cenek Zíbrt, who wrote in detail about the origin of the dance, in his book, Jak se kdy v Cechách tancovalo cites an opinion of Frantiek Doucha (1840, Kvety, p. 400) that "polka" was supposed to mean "dance in half" ("tanec na polo"), both referring to the half-tempo 2
4 and the half-jump step of the dance. Zíbrt also ironically dismisses the etymology suggested by A. Fähnrich (in Ein etymologisches Taschenbuch, Jiein, 1846) that "polka" comes from the Czech word "pole" ("field").On the other hand, Zdenek Nejedlý suggests that the etymology given by Fr. Doucha is nothing but an effort to prove the "true Czech folk" origin of Polka. Instead, he claims that according to Jaroslav Langr ("Ceské krakovácky" in: Cas. Ces. musea, 1835, Sebr. spisy I, 256) in the area of Hradec Králové, the tune Krakoviáky from the collection Slovanské národní písne of Frantiek Ladislav Celakovský became very popular so that it was used to dance (Czech dances) trasák, britva, and kvapík, and this way was called "Polka". Nejedlý also writes that Václav Vladivoj Tomek also claims the Hradec Králové roots of a Polka.[3] OED also suggests that the name may have been derived from the Czech Polka meaning "Polish woman" (feminine form corresponding to Polák, a Pole).
The beginning of the propagation of dance and accompanying music called polka is generally attributed to a young woman, Anna Slezáková (born Anna Chadimová). The music teacher Josef Neruda noticed her dancing in an unusual way to accompany a local folk song called "Strýcek Nimra koupil imla", or "Uncle Nimra Bought a White Horse", in 1830. She is said to have called the dance Madera ("Madeira wine") because of its liveliness. The dance was further propagated by Neruda, who put the tune to paper and taught other young men to dance it.[2] Cenek Zíbrt notices that a common claim that the events happened in Týnec nad Labem, Bohemia in 1834 is incorrect. Zibrt writes that when he published this traditional story in 1894 in Narodni Listy newspaper, he received a good deal of feedback from eyewitnesses. In particular, he wrote that according to further witness, the originating event actually happened in 1830, in Kostelec nad Labem, where she worked as a housemaid. Zíbrt writes that he published the first version of the story (with incorrect place name) in Bohemia (June 5, 1844), from where it was reprinted all over Europe and in the United States. Zíbrt also wrote that simple Czech folk claimed that they knew and danced Polka long before the nobles got hold of it, i.e., it is a truly folk Czech dance.
By 1835, this dance had spread to the ballrooms of Prague. From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.
It was so well received by both dancers and dance masters in Paris that its popularity was referred to as "polkamania."[6] The dance soon spread to London and was introduced to America in 1844. It remained a popular ballroom dance until the late 19th century, when it would give way to the two-step and new ragtime dances.
Polka dancing enjoyed a resurgence in popularity after World War II, when many Polish refugees moved to the US, adopting this Bohemian style as a cultural dance. Polka dances are still held on a weekly basis across many parts of the US with significant populations of central European origin. It was also found in parts of South America.
The word was widely introduced into the major European languages in the early 1840s.[1] It should not be confused with the polska, a Swedish About this sound
4-beat (help·info) dance with Polish roots (cf. polka-mazurka). A related dance is the redowa. Polkas almost always have a About this sound2
4 (help·info) time signature. Folk music of Polka style appeared in written music about 1800.
Urlaubswalzer / Sag zu mir ganz leis Ernst Mosch / Arr. Franz Bummerl
Titel 1 mit Text-/Gesangsstimmen
Urlaubswalzer / Sag zu mir ganz leis
Urlaubswalzer
Besetzung / Instrumentation: Blasorchester
Stil / Art: Walzer, Böhmisch mit Gesang
Komponist: E. Mosch
Bearbeiter: G. Weinkopf, F. Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Interpret: Ernst Mosch und seine Original Egerländer Musikanten
Aufnahme: Lebensfreude (CD9041)
Forma ...
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Duration: --:-- min
Difficulty: 2
Difficulty: 2
Article Nr: 106303
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Netolicka Polka Ladislav Kubes / Arr. Frank (Franto) Linharek
Netolicka Polka
Besetzung: Blasorchester
Stil / Art: Polka
Komponist: Ladislav Kubes
Arrangeur: Franto Linharek
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:03:25
Interpret: -
Aufnahme: -
Format: DIN A4
Erscheinungsjahr: -
Die Netolicka-Polka eines der bekanntesten Werke aus der Feder Ladislav Kubes
Die Netolicka Polka zählt, nach der Südböhmischen Polk ...
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Difficulty: -
Article Nr: 106267
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Marktfrauen-Polka / Nur wer die Heimat liebt Jaromir Vejvoda / Arr. Franz Bummerl
Titel zwei mit Text-/Gesangsstimmen
Marktfrauen-Polka / Nur wer die Heimat liebt
Marktfrauen-Polka (Po Roce)
Besetzung: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Jaroslav Vorisek
Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe | 2
Spieldauer: 00:02:51
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Aufnahme: Egerländer Wunsc ...
65,00 €
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Duration: 2:51 + 3:16 min
Difficulty: 2
Difficulty: 2
Article Nr: 106246
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Wenn der Tag zu Ende geht / Mädel ruck her zu mir Josef Ginzl / Arr. Franz Bummerl
mit Text-/Gesangsstimmen
Wenn der Tag zu Ende geht / Mädel ruck her zu mir
Wenn der Tag zu Ende geht (Liduská)Besetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Josef Ginzl
Textdichter: Franto LinharekFranz Bummerl
Schwierigkeitsgrad: U-M / 2
Spieldauer: 00:03:11
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Aufnahme: Titel 1: CD ...
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 106240
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Lenchen Polka (Helenka) Antonin Zvacék / Arr. Gerald Weinkopf
mit Text-/Gesangsstimmen
Lenchen Polka
Besetzung / Instrumentation: Blasorchester
Stil / Art: Art: Polka, Böhmisch
Komponist: Antonin Zvacek
Arrangeur: Gerald Weinkopf
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: -
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4 oder auch als Variante DIN A5
Die Lenchen-Polka von Antonin Zvacek ist ein bel ...
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Difficulty: 2
Difficulty: 2
Article Nr: 106231
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in stock | delivery time 1-2 days *


Leichtes Blut Op. 319 Johann Strauß / Strauss (Sohn) / Arr. Otto Wagner
Leichtes Blut Op. 319
Besetzung: Blasorchester
Komponist: Johann Strauss (Sohn), Op. 319 Arrangeur: Otto Wagner
Stil / Art: Schnell-Polka, konzertant
Schwierigkeitsgrad: Mittelstufe
Spieldauer: 00:02:41
Aufnahme: German Masters Vol. 3 (CD9007)
Format: DIN A4
Leichtes Blut (Op. 319) wurde im Jahre 1867 für die sogenannte Karnevalsrevue komponiert. Mit der Karnevalsrevue ...
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Difficulty: 3+
Difficulty: 3+
Article Nr: 106230
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Lass uns mit den Wolken zieh'n Jaroslav Skabrada / Arr. Franz Bummerl
mit Text-/Gesangsstimmen
Lass uns mit den Wolken zieh'n
Besetzung: Blasorchester, Männerchor einstimmig (ad lib.)
Stil / Art: Polka, Böhmisch
Komponist: Jaroslav Skabrada Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe ...
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Duration: --:-- min
Difficulty: 2+
Difficulty: 2+
Article Nr: 106227
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Meine Liebste / Kleiner Spatz Rudolf Lamp / Arr. Franz Bummerl
Titel zwei mit Text-/Gesangsstimmen
Meine Liebste / Kleiner Spatz
Meine Liebste (Moje Mila)
Besetzung / Instrumentation: Blasorchester
Komponist: Karel Bilek
Arrangeur: Frank Ecker
Stil / Art: Polka, Böhmisch
Schwierigkeitsgrad: Unter-/Mittelstufe 2
Spieldauer: 00:02:35
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A5
Kleiner Spatz (Blazené Chvile ...
45,00 €
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Duration: 2:35 min
Difficulty: -
Difficulty: -
Article Nr: 106212
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Hájecek Vaclav Manas / Arr. W. Brünner
Hájecek
Besetzung: Blasorchester
Stil / Art: Polka
Komponist: Václav Manas Arrangeur: Wenzel Brünner
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Interpret: Valaska
Format: DIN A4
Die Hájecek-Polka aus dem Repertoire der Kapella Valaska.
Hajecek
Polka
Vaclav Manas
Wenzel Brünner
EWOTON
Noten
Die Polka Bazalicka von Vaclav Manas aus dem Repertoire der Kapelle ...
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Difficulty: -
Article Nr: 106151
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Der Posaunen Otto Rolf Schneebiegl / Arr. Franz Bummerl
Der Posaunen Otto
Besetzung / Instrumentation: Blasorchester
Stil / Art: Art: Solo f. Posaune, Polka, volkstümlich
Komponist: Rolf SchneebieglFranz Bummerl
Schwierigkeitsgrad: Mittelstufe
Format: DIN A5
Erscheinungsjahr: -
Der Posaunen Otto - die beliebte Solo-Polka von Rolf Schneebiegl. Der Komponist ist bekannt für seine zahlreichen und vielfältigen Solo-Kompositionen für a ...
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Duration: --:-- min
Difficulty: 3+
Difficulty: 3+
Article Nr: 106016
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Das Beste von Moravanka Walter Tuschla
Das Beste von Moravanka
Besetzung / Instrumentation: Blasorchester, BeNeLux
Stil / Art: Potpourri, Mährisch, volkstümlich,
Komponist: Diverse Arrangeur: Franz Bummerl
Schwierigkeitsgrad: Mittelstufe
3
Interpret: MORAVANKA
Format: DIN A4
100% Mährische Blasmusik vom Besten - dafür stehen Jan Slabak und seine Blaskapelle Moravanka! Seit der Gründung 1971 in Brünn zählt Morv ...
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Difficulty: 3+
Difficulty: 3+
Article Nr: 105999
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in stock | delivery time 1-2 days *


Boretická Antonin Michna / Arr. Frank Ecker
Boretická
Besetzung: Blasorchester
Stil / Art: Mährische Polka
Komponist: Antonin Michna, Miroslav Procházka Arrangeur: Frank Ecker
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Interpret: Skoronaci
Aufnahme: Goldene Trompeten aus Böhmen und Mähren (Instrumental)
Format: DIN A5
Die Polka Boretická von Antonin Michna & Miroslav Prochazka aus dem Repertoire der Kapelle Sk ...
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Duration: 2:50 min
Difficulty: 2
Difficulty: 2
Article Nr: 105961
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Haderlumpen-Polka Frank (Franto) Linharek
Haderlumpen-Polka
Besetzung / Instrumentation:Blasorchester
Stil / Art: Art: Polka, Böhmisch
Komponist: Ladislav HdrlickaArrangeur: Franto Linharek
Schwierigkeitsgrad: Unter-/Mittelstufe
2
Spieldauer: 00:02:40
Interpret: Elmar Wolf & die neuen Egerländer
Aufnahme: EWO Disc 15 (CD8015)
Format: DIN A4
Die Haderlumpen-Polka von'>Ladislav Hdrlicka - ein flotter Stimmungsmacher f ...
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Difficulty: -
Difficulty: -
Article Nr: 105958
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So schön kann nur die erste Liebe sein / Rosen im Wind Josef Hotovy / Arr. Franz Bummerl
mit Text-/Gesangsstimmen
So schön kann nur die erste Liebe sein / Rosen im Wind
So schön kann nur die erste Liebe seinBesetzung: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Arnost MosnaTextdichter: Gerald WeinkopfFranz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:03:09
Interpret: Ernst Mosch & seine Original Egerländer Musikanten
Format: DIN A4Rosen i ...
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Duration: --:-- min
Difficulty: 3
Difficulty: 3
Article Nr: 105953
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in stock | delivery time 1-2 days *


Auf dem Heuboden / Blumen der Erinnerung Frank Pleyer / Arr. Franz Bummerl
Auf dem Heuboden / Blumen der Erinnerung
Auf dem HeubodenBesetzung / Instrumentation: Blasorchester
Stil / Art: Polka, Böhmisch
Komponist: Frank PleyerFranz Bummerl
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:03:16
Format: DIN A5
Erscheinungsjahr: -Blumen der ErinnerungBesetzung / Instrumentation: Blasorchester
Stil / Art: Walzer, Böhmisch
Komponist: Franz Bummerl-
S ...
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 105927
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Alles geht vorüber Jan Slabák / Arr. V. Sekulka
Alles geht vorüber
Stimmensatz: Blasorchester
Stil / Art: Polka, Mährisch
Komponist: Vaclav Sekulka (u.V.e. Volksweise)Textdichter: Fini Busch-
Schwierigkeitsgrad: Unter-/Mittelstufe
Spieldauer: 00:02:32
Interpret: MORAVANKA
Aufnahme: Demo Nr. 5/6
Format: DIN A5
Eine flott-frohsinnige mährische Polka von Vaclav Sekulka!
Auch bekannt als V Rychtárovej Studni
Alles geht v ...
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Duration: --:-- min
Difficulty: -
Difficulty: -
Article Nr: 105908
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